ACADEMIC JOURNAL
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ISSN 2542-1077 (Print) ISSN 1994-5973 (Online) |
Literary studies |
Aleksandrova M. A. | Linguistics University of Nizhny Novgorod |
Keywords: Bulat Okudzhava Lidia Ginzburg “little man” War of 1812 Napoleonic era myth lieutenant prose autopsychological character |
Summary: The relevance of the topic is determined by the request of modern literature studies to revise the Soviet
aesthetic assessments and ideological interpretations of the works about war, as well as the relatively recent need for
a thorough study of Bulat Okudzhava’s literary heritage. Okudzhava’s early short novel Be Well, Schoolboy (1961)
and the co-authored screenplay Zhenya, Zhenechka and “Katyusha” (1968) are for the fi rst time compared as stages of refl ection on a “little man” in a war situation. The working hypothesis of the study stems from L. Ya. Ginzburg’s ideas about a new function of the “little man” in the twentieth-century art. Being a universal symbol of humanvulnerability, the “little man” is in charge of restoring the moral balance. Furthermore, the study develops V. A. Koshelev’s
generalizations regarding the mythologization of the War of 1812 as the “last chivalric war”. This approach
enables one to determine the originality of the problematics of Okudzhava’s works against the background of the
most prominent examples of the so-called “lieutenant prose” and compare the main types of autopsychological
characters searching for nobility. The substantially new element of the study is the analysis of the historical and literary fantasies of Okudzhava’s “schoolboys” which express the author’s realistic view of the “honorable past” (the Napoleonic era). |
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