ACADEMIC JOURNAL
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ISSN 2542-1077 (Print) ISSN 1994-5973 (Online) |
Russian literature and literature of the peoples of the Russian Federation |
Dekhtyarenok A. V. |
Keywords: Prishvin hunting image archetype neorealism modernism ancient tradition Platon |
Summary: The article examines the image of hunting in Mikhail Prishvin’s works and its interconnection with the
fundamental ideas of Plato’s aesthetics. The relevance of the stated topic is determined by the search for new approaches
to the study of the writer’s works and the need for a comprehensive study of the influence of the ancient tradition on
Prishvin’s writing. The objective of the study was to investigate the reflection of images, ideas, and symbols of Platonism
in Prishvin’s “hunting texts” in order to to establish the motives of his referral to Platonic aesthetics and to identify the
specifics of the representation of this ancient philosopher’s ideas in the semantic paradigm of the image of hunting. The
main research methods were the intertextual, comparative, and motive-figurative analysis. The study revealed the image
of hunting in different contexts and at the different levels of artistic representation – as a space of the soul and a
metaphor for knowledge, creativity, love, and life itself. The article focuses on the polyphonism of Prishvin’s discourse,
which combined different approaches to understanding the phenomenon of hunting – the traditional Russian hunting
narrative, the refined aestheticism of the turn of the century, and the sustainable reception of Platonic thought, which
had a vivid continuation in the literature of modernism. It was concluded that in Prishvin’s literary world picture the
understanding of the hunting phenomenon as a specific lyrical space for the author’s reflection and a metaphor for creativity and the quest for eternal truths was the development of the Platonic tradition. |
Displays: 295; |