ACADEMIC JOURNAL
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ISSN 2542-1077 (Print) ISSN 1994-5973 (Online) |
Linguistics |
Gantsovskaya N. S. | Kostroma State University |
Qin Lidong | Kostroma State University |
Keywords: hypotaxis conditional conjunctions Alexander Ostrovsky Fortunatov’s school Vasilenko Shapiro Bulakhovsky |
Summary: The Russian literary language, the ways of displaying the communicative qualities of complex sentences
depending on the degree of grammatical abstraction, the main features of their formal and semantic structure, the natureand features of the functioning of their construction features in a certain period of history – these are the current issues
of the study of the Russian language, which still are of a debatable nature and form the theoretical basis for this work.
These problems turn us to the ideas of the Fortunatov’s school representatives who laid out the path for the priority
research of the structural (grammatical) properties of hierarchically arranged syntactic units. The article deals with the
structural and semantic features of the conjunctions of complex conditional sentences in the plays written by one of the
creators of the modern Russian literary language – a classic of Russian literature Alexander Ostrovsky. The language
of Ostrovsky’s dramas played an important role in the democratization of the Russian literary language and preserved
many features of Russian folk colloquial speech, including dialect ones. In this regard, the ideas of the authors of the
article are based on the works of the classics who supported Fortunatov’s intellectual tradition in the Russian linguistics,
in particular, Abram Shapiro and Leonid Bulakhovsky. As a result of the study, the conclusion was made about the absolute
predominance of the universal monosemantic conjunction если (if) in the literary and colloquial constructions of
the Russian language in the mid-XIX century, as well as about a signifi cant role of syncretic conjunctions of a colloquial nature, such as ежели (if), как (when), когда (when), коли (if), in comparison with the modern state of the Russian literary language. |
Displays: 459; |