ACADEMIC JOURNAL
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ISSN 2542-1077 (Print) ISSN 1994-5973 (Online) |
Russian literature and literature of the peoples of the Russian Federation |
Shilova N. L. | Petrozavodsk State University |
Rumyantseva A. D. | Petrozavodsk State University |
Keywords: Borus Ryzhy book of poems And All That… poetry studies metrics meter polymetry composition |
Summary: Despite the widespread popularity of Boris Ryzhy’s writings among scholars and readers of different
generations, there has been a lack of focus on the technical aspects of his poetry, such as metrics, rhythms, strophics,
and rhymes. While some preliminary remarks and initial classifications have been made in this area based on extensive
textual analysis, further verification, clarification, and additions are necessary. This article highlights discrepancies
found in two recent publications on Ryzhy’s metrics, raises questions regarding existing data, and presents the results
of an analysis of the metric-rhythmic forms used in his first collection of poems, And All That..., which was published
during the author’s lifetime in 2000. In addition to providing statistical and classificational insights, this study comments
on some of the patterns identified in Boris Ryzhy’s utilization of verse forms. Of particular interest are the instances of
polymetric composition found in his poetry, a topic that has not been previously explored. Moreover, attention is drawn
to Ryzhy’s unique poetic strategies, which involve a combination of conservative metrics (such as iambic tetrameters)
with various estrangement techniques, including polymetric forms, enjambements, and “imaginary prose”. It is
noteworthy that Ryzhy consistently navigates between conformity and deviation from norms, conservatism and
experimentation in their conventional sense, in a manner that strives to integrate these seemingly opposing forces into a dynamic yet balanced system, positioning himself as both a traditionalist and a trailblazer. |
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