Sokolova, M. G. COMPARISON OF APPROACHES TO THE STUDY OF SUSTAINABLE POETIC IMAGES // Proceedings of Petrozavodsk State University. 2019. No 1 (178). P. 90–96. DOI: 10.15393/uchz.art.2019.278


Linguistics


COMPARISON OF APPROACHES TO THE STUDY OF SUSTAINABLE POETIC IMAGES

Sokolova
M. G.
Tolyatti State University
Keywords:
poetic image
the poetic formulas
poetic idioms
figurative paradigm
conceptual metaphor
Summary: The article deals with the distinctive features of the concept of poetic image, characterizes the stability of poetic images in the aspect of comparing approaches to the study of stable poetic images in Philology. The subject of this article is a comparison of similar terms to refer to stable images that reflect various aspects of the study of this object in literary studies and linguistics: motive, image-symbol, keywords, “paradigm of images”, “poetic formula”, “conceptual metaphor”, “poetic phraseology”. The main attention is paid to the problem of the study of stable poetic images in the framework of the theory of invariance and paradigm of images. As a result of the research it is established that the figurative paradigm and poetic form are universal abstract models based on the associative connection of distant concepts and phenomena. The structure of this model has a binary character: subject of image and subject-image; the left term of the paradigm – what is identified, the right term-that with which the comparison takes place, the denotate – word – image and other. Figurative paradigms and poetic formulas are revealed in the intertextual relations of literary works. However, the poetic formula have the archetypical metaphorical nature, thematically restricted to the axiological aspects of being human and involves the cognitive realization. Poetic phraseology is a linguistic form of realization of figurative paradigms at the level of word combination. The method of analysis of the the figurative paradigm and intertextual analysis of the poetic formulas of enable opportunity for the researchers to trace the paths of the formation and further evolution of the poetic images, the common, stereotypical and individual in the poetic oeuvre of one or several authors to reconstruct individual and collective poetic picture of the world.




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